DB Hall of Fame

SOLO  FLIGHT

THE  CHARLIE  CHRISTIAN  LEGACY

DB Hall of Fame


 

 

THE SHEIK OF ARABY
 
mx  WCO 26718 A
 
APRIL  3,  1940   *      Wednesday HOLLYWOOD
World Broadcasting System
[ for COLUMBIA Records ]   *
 

 
  32  BARS    (AAA'B) Key of   B Quarter Note =   220 Time:   3:18
 
 
  4-Bar Intro / 16-Bar Prelude  +  4  CHORUSES  +  two 16-Bar Codas:
 
      4  bars  –  drums (Intro)
 
  16  bars  –  CC  & ensemble (Verse in B♭m)
 
    32  bars  –  clarinet (Melody)
 
    32  bars  –  vibes
 
  32  bars  –  CC
 
    32  bars  –  piano
 
    4  bars  –  CC (Coda:  fours)
      4  bars  –  clarinet
      4  bars  –  vibes
      4  bars  –  piano
 
    4  bars  –  CC (Coda)
    12  bars  –  clarinet
 
 

 
Personnel:
 
  Benny Goodman Sextet
  CHARLIE CHRISTIAN Guitar
  BENNY GOODMAN clarinet
  LIONEL HAMPTON vibes
  JOHNNY GUARNIERI piano
  ARTIE BERNSTEIN bass
  NICK FATOOL drums
 
 

 
  * Matrix assigned on  APRIL 10, 1940
  Recorded by the World Broadcasting System, Inc. (Hollywood)
  for the Columbia Recording Corp. (NYC)
 

Composed by: Ted Snyder  (lyrics by Harry B. Smith - Francis Wheeler)
 
© VALDÉS   9/14/06


 

The Sheik of Araby  —  3 April 1940  (master take A)

        First Page:              Intro

        Second Page:      Solo

        Third Page:            Fours

 



C&A:

Charlie Christian takes a very good, albeit fairly standard, solo on this master take of The Sheik of Araby – except for the extraordinary measures 9 through13.  On the two-bar B♭ harmony (mm 9-10) CC follows a B♭ line with a B♭dim7 leading to the F7;  in the following three measures (mm 11-13), over the F7 chord, he plays two descending and four ascending augmented figures moving at whole-tone intervals.

The quarter-note triplets on bar 16 are also used on bar 4 of the alternate take – it may be those triplets in the intro are still floating around in his head.  There’s a blues B♭ line, ♭7th (A♭) & 6th (G), at mm 19-20 over the F7.  Measures 21 & 22 contain a tricky sequence where Charles first accents the down-beat and then the up-beat over the F7 and anticipates the D7 on the last two beats.  And note the ♯5 in bar 30.  Very good work – forget the highly unusual flub in bar 24 where he fingers the note C but misses it with the pick.

On the out chorus, Charles plays B♭s on alternating strings on his first ‘fours’ line;  descending then ascending figures on his second.



 
Issued Recordings:
 
  [ 78 ] Columbia     as The Sheik 35466 (b/w Poor Butterfly)
 
  [ EP ] Columbia     as The Sheik RLS 799  (SEGC.11) (side F, track 1)
 
  [ 10 ] Philips B 07 907 R (side B, track 1)
    Philips P 07.931R (side B, track 1)
 
  [ LP ] CBS 62.581 (side A, track 6)
    62.581C P5 15536 (side C, track 3)
    CBS / Sony 56AP 674-6 (side C, track 1)
    CBS / Sony SOPZ4-6 (side C, track 1)
 
  [ CD ] ASV AJA 5144 (track 17)
    BD Jazz JZBD022 (disc 1, track 9)
    Best of Jazz 4032 (track 10)
    CBS 465679 2 (track 8)
    Classics 1098 (track 24)
    Columbia/Legacy AC4K 65564 (disc 1, track 12)
    Columbia/Legacy C4K 65564 (disc 1, track 12)
    Columbia CK 45144 (track 8)
    Definitive DRCD11176 (disc 2, track 9)
    Documents / Membran 233118 (disc 1, track 20)
    Edel 0193692ERE (track 11)
    Giants of Jazz 53050 (track 17)
    History 20.1960-HI (vol. 19, disc 1, track 17)
    History 20.1979-HI (disc 1, track 17)
    Japan Jazz Club EGR 2001 (track 8)
    Jazz Archives / EPM 15908 2 (track 7)
    Jazz Roots 56058 (track 5)
    Jazzterdays JTD 102410 (track 5)
    Le Chant du Monde 274 1459.60 (disc 1, track 18)
    Masters of Jazz MJCD 40 (track 11)
    Masters of Jazz MJCD 9004 (disc 3, track 11)
    Membran 222777 [see Album Index]
    Membran 222800 [see Album Index]
    Membran 232094 [see Album Index]
    Membran 232568 [see Album Index]
    Primo / Proper PRMCD 6092 (disc 1, track 10)
    Proper P1489 (track 15)
    Proper PROPERBOX 98 (disc 1, track 15)
    Sony/Legacy 93035 (disc 1, track 12)
    Topaz Jazz / Pavilion TPZ 1017 (track 10)
    Universe UV 129/2 (disc 1, track 11)
 
 

 



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