JANUARY 15, 1941
Wednesday |
Columbia Studios, NYC |
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32 BARS (ABAC) |
Key of |
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E♭ |
Quarter Note = |
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82 |
Time: |
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3:27 |
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4-Bar Intro + 2 ˝ CHORUSES: |
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32 bars clarinet |
(Melody) |
[ABAC] |
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8 bars clarinet |
(Melody) |
[C] |
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Benny Goodman and his Sextet |
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Composed by: |
Isham Jones
(lyrics by Gus Kahn) |
C&A:
On the Alamo doesnt receive nearly as much attention as
it should. Possibly because it was one of the slowest tunes played by the sextet,
recorded only once on one take, and almost half of it is fairly straight melody. It
was also recorded during the same studio session as the multiple takes of up-tempo tunes Breakfast
Feud, I Found a New Baby, and Gone with What Draft (Alamos
78-rpm flipside companion). On the Alamo is beautifully played by all.
Charlie Christians eight-bar solo is a gem. Everything fits together
perfectly. The four notes he plays on the pickup bar and on the second measure are identical and
go with both the E♭ and F7
harmony, and are used for like purposes but with dissimilar emphasis. Then there are two phrases that ascend in
triplets and descend with quarter notes; two cascading triplets and a leap up to a single
note before the phrase is resolved with a couple of notes in the next beat. The solo itself is
then resolved with two similar, and unexpected, two-note phrases that also relate to the
first measure.
So leisurely simple and sensible and sublime. |
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[ 78 ] |
Columbia |
35938 |
(b/w Gone With What Draft) |
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Columbia |
37513 |
(b/w
BG orch
Cocoanut Grove) |
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V Disc |
55B |
(b/w BG orch Buckle Down, Winsocki) |
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[ 45 ] |
Columbia |
G 4-2 |
(G 4-2-4) |
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[ EP ] |
Columbia |
B-350 |
(side B, track 2) |
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[ LP ] |
CBS |
159.028/29 |
(side D, track 2) |
|
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CBS |
2BP 220094 |
(side D, track 2) |
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|
CBS |
62.581 |
(side B, track 8) |
|
|
CBS |
62581 |
(side B, track 8) |
|
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CBS |
67233 |
(side D, track 2) |
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CBS |
BPG 62581 |
(side B, track 8) |
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CBS / Sony |
56AP 674~6 |
(side E, track 7) |
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CBS / Sony |
SOPM 162 |
(side A, track 4) |
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CBS / Sony |
SOPZ4~6 |
(side E, track 7) |
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Columbia |
33SX 1035 |
(side A, track 4) |
|
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Columbia |
CG 30779 |
(side D, track 2) |
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Columbia |
CL 500 |
(side A, track 4) |
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Columbia |
G 30779 |
(side D, track 2) |
|
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Columbia |
GL 500 |
(side A, track 4) |
|
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I Grandi del Jazz |
GdJ-48 |
(side B, track 4) |
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Philips |
BBL 7178 |
(side B, track 4) |
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[ CD ] |
Acrobat |
ACTRCD 9103 |
(disc 3, track 13) |
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Columbia/Legacy |
AC4K 65564 |
(disc 3, track 4) |
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Columbia/Legacy |
C4K 65564 |
(disc 3, track 4) |
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Columbia |
CK 45144 |
(track 16) |
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Definitive |
DRCD11176 |
(disc 3, track 9) |
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Giants of Jazz |
53039 |
(track 23) |
|
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History |
20.1960-HI |
(set 15, disc 1, track 23) |
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History |
20.1975-HI |
(disc 1, track 23) |
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Japan Jazz Club |
EGR 2001 |
(track 16) |
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Jazz Archives / EPM |
15908 2 |
(track 15) |
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Jazzterdays |
JTD 102410 |
(track 13) |
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Masters of Jazz |
MJCD 68 |
(track 11) |
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Past Perfect |
PPCD 78129 |
(track 20) |
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Primo / Proper |
PRMCD 6092 |
(disc 2, track 2) |
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Proper |
PROPERBOX 98 |
(disc 2, track 13) |
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Sony/Legacy |
93035 |
(disc 3, track 4) |
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Topaz Jazz / Pavilion |
TPZ 1017 |
(track 19) |
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Universe |
UV 129/2 |
(disc 2, track 5) |
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