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mx  WCO 26284 A
NOVEMBER  22,  1939     Wednesday COLUMBIA STUDIOS,  NYC

  32  BARS    (AABA) Key of   E Quarter Note =   88 Time:   3:10
  2-Bar Intro  +  2  CHORUSES:
      2  bars  –  clarinet (Intro)
    32  bars  –  clarinet (Melody)
    16  bars  –  vibes
  32  bars  –  CC
      8  bars  –  clarinet (Melody)

  Benny Goodman Sextet
  BENNY GOODMAN clarinet

Composed by: Eubie Blake  (lyrics by Andy Razaf)
©   VALDÉS   1/27/18


Transcription Page:     Memories of You   –  22 November 1939  (master take)



Five different versions of Memories of You were recorded – all within a three-month period;  and all with the 1939 sextet in NYC, same personnel (Smack was reinstated as the sextet pianist for the concert) and routine:  one radio studio broadcast, one at a Waldorf-Astoria Hotel gig, two in the Columbia recording studio for possible commercial release, and one in concert at Carnegie Hall on Christmas Eve.  Goodman’s forte was playing the melody on ballads – his contributions to this tune are exemplary.

Charles’ usual method is to employ eighth notes in his solos.  On slower tunes he would use sixteenth notes in parts of his solos.  Memories of You is unique in that he applies sixteenth notes exclusively on all five versions.  And he plays much of the rhythm straight (not syncopated) on all five of his solos usually holding the swingin’ till the last bar.

Each and every one of Charlie Christian’s solos is beautifully put together.  Like whiffs of fresh air.  They arrive, exhilarate, and are quickly gone.

Nov 22, 1939
WCO 26284 A – master take at Columbia Studios

Of the five editions, this Charlie Christian solo is clearly the most adventurous in regard to the guitar picking.  At the same time, it seems the most formally constructed – as if purposely wrapped up and presented for permanent pressing.

Erudite reviews:

Jan Evensmo in The Guitars of Charlie Christian… (1976):
“The studio versions of Memories… are well played and quite dexterous to be held in slow tempo.  They are also remarkably different, although I think I find other versions, like the Oct 23, 1939 one, more exciting.”

Claude Carrière in Charlie Christian, Vol. 2 (1992) MJCD 29 liner notes:
“The short eight bars from Charlie on the bridge of Memories differs significantly from one take to the other:  the first restrained, the second adventurous.  The brevity of Charlie’s intervention is all the more regrettable in that the earlier version of this ideal showcase also denied him a complete chorus.”


Issued Recordings:
  [ 78 ] Columbia 35320 (b/w Soft Winds)
  [ EP ] Columbia RLS 799 (SEGC.9) (side B, track 2)
  [ LP ] CBS 62.581 (side A, track 8)
    CBS 62581 (side A, track 8)
    CBS 67268 (side D, track 5)
    CBS BPG 62581 (side A, track 8)
    CBS P5 15536 (side B, track 2)
    CBS / Sony 56AP 674~6 (side A, track 4)
    CBS / Sony SOPZ4~6 (side A, track 4)
    Columbia CL 820 (side A, track 3)
    Columbia CS 8643 (side A, track 3)
    Columbia KG 31547 (side D, track 5)
  [ CD ] Acrobat ACTRCD 9103 (disc 2, track 17)
    CBS 465679 2 (track 3)
    Chestnut CN1003 (track 10)
    Classics 1064 (track 16)
    Columbia/Legacy AC4K 65564 (disc 1, track 4)
    Columbia/Legacy C4K 65564 (disc 1, track 4)
    Columbia CK 45144 (track 13)
    Columbia/Legacy CK 61445 (track 16)
    Columbia/Legacy COL 501035 2 (track 16)
    Definitive DRCD11176 (disc 1, track 18)
    Japan Jazz Club EGR 2001 (track 4)
    Jazzterdays JTD 102410 (track 7)
    Masters of Jazz MJCD 29 (track 2)
    Masters of Jazz MJCD 9004 (disc 2, track 2)
    Membran 232094 [see Album Index]
    Membran 232658 [see Album Index]
    Past Perfect PPCD 78122 (track 4)
    Proper P1489 (track 5)
    Proper PROPERBOX 98 (disc 1, track 5)
    Sony/Legacy 93035 (disc 1, track 4)
    Universe UV 129/2 (disc 1, track 4)


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