|
| OCTOBER 31, 1939
Tuesday PM |
711 Fifth Avenue, NYC |
| |
12-Bar BLUES |
Key of |
|
B♭ |
Quarter Note = |
|
90 |
Time: |
|
3:25 |
| |
4-Bar Intro + 6 CHORUSES: |
| |
|
4 bars – ensemble |
[Intro] |
|
| |
|
12 bars – vocal |
(over ens riffs) |
|
| |
|
12 bars – vocal |
(over clt obbl) |
| |
|
12 bars – vocal |
(over muted tbn obbl) |
| |
|
12 bars – vocal |
(over muted tpt obbl) |
| |
• |
12 bars – vocal |
(over CC obbl) |
|
| |
|
12 bars – vocal |
(over ens riffs) |
|
| |
Ida Cox and her All-Star Band |
|
| |
J.C. HIGGINBOTHAM |
trombone |
|
Transcription
Four Day Creep – 31 October 1939 – mx 26239-A
Obbligati
|
|
C&A:
Four Day Creep kicks off the later session of Ida Cox’s two blues
recording sessions for Vocalion Records on Halloween. The same septet
continues from the morning stint with the significant and welcome exception
that Fletcher Henderson replaces James P. Johnson on piano. Only one take
was recorded.
Charlie Christian is on rhythm guitar most of the way but he does get some
exemplary single-string accompaniment in behind one verse (the fifth, of six
choruses).
|
| |
[ 78 ] |
Vocalion |
05298 |
(b/w Hard Time Blues) |
| |
[ LP ] |
CBS |
67203 |
(side C, track 4) |
| |
|
Collector’s Classics |
CC 56 |
(side A, track 7) |
| |
|
Columbia |
KG 30788 |
(side C, track 4) |
| |
|
Queen-Disc |
Q-048 |
(side A, track 3) |
| |
[ CD ] |
Affinity / Charly |
AFS 1015 |
(track 4) |
| |
|
Chestnut |
CN1003 |
(track 17) |
| |
|
Columbia/Legacy |
C2K 53407 |
(disc 2, track 4) |
| |
|
Definitive |
DRCD11176 |
(disc 1, track 14) |
| |
|
Document |
DOCD-5651 |
(track 8) |
[ Home ] [ Up ]
|
