OCTOBER 2, 1939 Monday |
Columbia Studios, NYC |
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32 BARS (AABA) |
Key of |
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E♭ |
Quarter Note = |
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166 |
Time: |
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3:12 |
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Goodman: Hello
Men, this is V-Disc with Goodman coming your way. Heres a couple of things I hope you like. |
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Goodman: Hiya Fellas, this is Benny Goodman spinning at you on this V-Disc.” |
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(different dubbed greetings appear on different V-Disc pressings) |
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4-Bar Intro + 4
CHORUSES: |
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16 bars
CC & ens |
(Theme) |
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8 bars
CC & ens |
(Theme) |
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16 bars vibes |
(over CC chord
accents) |
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8 bars vibes |
(over CC riffs) |
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8 bars vibes |
(over CC chord
accents) |
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16 bars
CC & ens |
(Riffs) |
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8 bars
CC & ens |
(Riffs) |
Composed by: |
Charlie Christian -
Leslie Sheffield - Lionel Hampton |
Transcription Page: Flying Home 2 October 1939
Homeward Bound (alternate take)
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C&A:
A few years after the release of the master take on the customary
Columbia label, this alternate take of Flying Home from the same studio date
was released as Homeward Bound on the V-Disc label intended for distribution
exclusively to the members of the military overseas. As expected,
Charlie Christian’s solo is decidedly different.
Charles begins the solo with a repeated riff used on quite a few other
versions but, except for the ubiquitous E♭dim7 idiom inserted in bars 11 and
12, the rest is rather unique. Remarkable how he can so vary the simple
E♭
harmony on two-thirds of a chorus. Measures 29-31 are especially imaginative
and unexpected – fantastic coordination.
Then, of course, there’s the bridge. The E♭7 (mm 17-18) and
F7 (mm 21-22)
sequences are virtually identical, the second just transposed a couple of
semitones up. But the rhythm on the second – prefaced by a long slide up the
fretboard – is turned upside down and the fingering/highlighting is so
completely divergent he makes it seem an altogether different run.
Ingenious.
A lot of brinkmanship by Charles on this for a studio date. Although the
master is always listed first, there’s no definite affirmation as to which
take was recorded first. I have a hunch this was the first take of the day
and he may have expected this to be a throw-away so he was very relaxed –
and creative.
It is a marvelous solo.
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[ 78 ] |
V Disc
(as Homeward Bound) |
731B |
(p/w
BG orch
Bolero) |
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[ LP ] |
Dan / Tokuma
(as Homeward Bound) |
VC-5022 |
(side A, track 6) |
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Phontastic |
NOST 7610 |
(side A, track 2) |
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Sunbeam
(as Homeward Bound) |
SB-144 |
(side A, track 4) |
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[ CD ] |
BD Jazz |
JZBD022 |
(disc 1, track 1) |
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Collectors’ Choice |
CCM 3592 2 |
(disc 4, track 10) |
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Columbia/Legacy |
AC4K 65564 |
(disc 1, track 18) |
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Columbia/Legacy |
C4K 65564 |
(disc 1, track 18) |
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Columbia/Legacy |
CK 86834 |
(track 4) |
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Definitive |
DRCD11176 |
(disc 4, track 1) |
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Edel |
0193692ERE |
(track 1) |
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Makin’ Friends / BMG |
14170 2 |
(disc 1, track 15) |
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Masters of Jazz |
MJCD 24 |
(track 8) |
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Masters of Jazz |
MJCD 9004 |
(disc 1, track 8) |
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Masters of Jazz |
R2CD 8004 |
(disc 1, track 1) |
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Phontastic |
NCD 8821 |
(disc 1, track 18) |
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Sony/Legacy |
93035 |
(disc 1, track 18) |
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Tokuma
(as Homeward Bound) |
TKCF-77074 |
(track 6) |
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Universe |
UV 129/2 |
(disc 1, track 16) |
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Warner Music France |
3007-2 |
(track 9) |
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